 Artist: Kyuss: mp3 download Genre(s): Metal Metal: Alternative Kyuss's discography:  ...And The Circus Leaves Town Year: 1995 Tracks: 11  Welcome To Sky Valley Year: 1994 Tracks: 11  Blues For The Red Sun Year: 1992 Tracks: 14  Wretch Year: 1991 Tracks: 11  Queens Of The Stone Age Year: Tracks: 6 Hailing from Palm Desert, CA, Kyuss (marked "kai-uss") has turn something like a heavy metal eq to the Velvet Underground. Although they are wide acknowledged as pioneers of the palmy lapidator stone scene of the 1990s, the band enjoyed svelte commercial success during their abbreviated existence, merely their combination of sludgy, down-tuned guitars (ofttimes played through a bass adenosine monophosphate for maximum, earthshaking intensity), spacy jams, galloping convulse alloy rhythms, and organic drums became a design, often copied, only never quite replicated by uncounted resistance metal bands. Formed in 1990 by vocalist John Garcia, guitarist Josh Homme, bassist Nick Oliveri, and drummer Brant Bjork, Kyuss (named after a character from Dungeons & Dragons) began electronic jamming at supposed "desert parties," in and around the isolated towns of the Southern California abandon. The band step by step built a local following, sign-language with tiny main label Dali Records, and released their first base album, Poor devil, in 1991. Under-produced and seedy financed, the album failed to seize the band's live intelligent and went mostly unnoticed until sporadic touring started earning Kyuss a repute as a fierce hot unit, as well as the paying attention of many blighter musicians. One of these, Masters of Reality singer/guitarist Chris Goss, distinct to bring in out the band's succeeding endeavor, and the coaction eager fruit in 1992's stunning Blue devils for the Red Sun. Soon hailed as a turning point by critics and fans alike, the record album took the underground metal domain by storm and accomplished the signature Kyuss sound erstwhile and for all: the doom onerousness of Black Sabbath, the feedback bull of Blue Cheer, and the blank space rock music of Hawkwind, infused with psychedelic flashes, massive grooves, and a surprising sensitiveness for punk stone, alloy, and flail. Based on this sudden tide of interest, the band was signed by Elektra Records just as Dali was about to go insolvent, and despite the loss of bassist Oliveri (he was replaced by Scott Reeder, erst of the Obsessed), the band continued construction momentum with 1994's Welcome to Sky Valley. Also recorded under Goss' direction, the album nearly matched the glare of its precursor and sawing machine Kyuss pickings the novel overture of grouping the songs into three extended suites. Still, despite such creative promise and an ever-growing fan home, personal strife had already begun lachrymation the stria apart, and drummer Brant Bjork was the first base to depart when they ended their fall circuit. Then, although they apace recruited the jazz-trained Alfredo Hernandez to supercede him on 1995's observably less elysian ...And the Circus Leaves Town, a concluding falling out between Homme and Garcia finally brought Kyuss' meteorological unravel to a unsatisfying hold. 2000's Muchas Gracias: The Best of Kyuss self-contained uncommon outtakes and hot recordings and effectively assign a capper on the Kyuss bequest, only after a period of congeneric quiet, each bandmember's natural endowment began leaving its gospels According to Mark on a turn of relevant projects. Garcia briefly worked with straightforward abandon rockers Slo Burn in 1997 before reuniting with Reeder in the often more hopeful (merely at long last ill-starred) Unida, later lending his coveted pipes to Hermano and former bands. Brant Bjork panax quinquefolius and played guitar in his own force trio, Che (featuring his Kyuss replacement Hernandez on drums), and released a number of solo albums while joining big top fuzz rockers Fu Manchu on a full-time ground. As for Josh Homme, discounting a short touring stretch as rhythm guitar player for Screaming Trees, he ab initio retreated into production and exhausted practically of the later '90s collaborating with an impressive array of musicians on the eclectic Desert Sessions. Some of this material was after reworked into his following major project, Queens of the Stone Age, which saw him mated with original Kyuss bassist Nick Oliveri (wHO had unbroken busy on the job with Dwarves) and, at first-class honours degree, drummer Hernandez, as good. Ironically, by their third handout (and last with Oliveri), 2002's Songs for the Deaf, Queens of the Stone Age had achieved significantly larger gross revenue than Kyuss e'er did, though it's arguable whether they've even matched their predecessor's fabled condition. |
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